Sunday, August 10, 2008

"Slow Glass" at Lisa Cooley Gallery



(originally published 7/28/08 on ArtSlant.com)

“You’ll never get it if you don’t slow down, my friend.” This sly warning, from Mario Garcia Torres’ "11 Years Later/11 Minutes Later (2006)", is one viewers of "Slow Glass", a group exhibition at Lisa Cooley, would do well to heed; though containing only a handful of works, this is a show to spend time with.

Heather Rowe’s "The Space Above the Ceiling" (2008) serves as a meandering guide down the length of the slender gallery. Hanging overhead, its elegant execution causes it to rise like a balloon even as its negative space bears down on you like a heavy conscience. It’s impossible to escape its presence for a second.

Lawrence Weiner’s "AT THE SAME MOMENT" (2000), perches just inside the storefront window, its content and placement immediately referencing the material for which the show is named: science fiction writer Bob Shaw’s magical glass that slows down light, thereby trapping scenes and allowing them to be transported and viewed from an entirely new setting.

Lizzie Hughes’ and Emma Kay’s works build on this by exploring themes of translation and de-contextualization, respectively. Hughes’ "Untitled (Translation Piece)" (2008) demonstrates how language can become garbled in a veritable game of Telephone. Kay’s works distill two influential narratives, The Bible and "The Interpretation of Dreams", down to the objects that appear in them. The objects become signifiers, talismans, keys to a set of beliefs. There are hundreds of articles listed; all of them will carry you off on a giant tangent.

Mario Garcia Torres’ slideshow "11 Years Later/11 Minutes Later" (2006), is the final piece in “Slow Glass”. Its subtitled dialogue (originally written by Paul Auster for the film Smoke) is shelled out slide by slide at a tantalizing pace, the methodic click of the carousel bouncing off the walls of the gallery. That sound, Rowe’s looming sculpture, and the rhythm of all those words on display eventually conjur a weird, lethargic suspense, leaving you feeling deliciously time-warped.

No comments: